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You could find the Synth Presets walkthrough video below

1980 Vol.2 for Arturia CS-80 V4 and Analog Lab V synths contains 30 presets derived from the classic 80's sound era and carrying this distinct CS-80 sound identity. This soundbank has 30 Classic Pads that could also be used as polysynths in terms of performance.

 

In some presets the envelopes that modulate the filters could introduce some interesting nice flaws and additional note could be heard when releasing the keys. If you would like to avoid this one then turn the slider of filter release (the first yellow sliders with the R sign below them for each different channel) or even turn down all sliders that adjust the filters envelopes (the sliders with IL, AL, A, D and R signs below them).

 

Chorus and Tremolo in the down part of the synth play an important role for most presets and give an additional vintage 80’s touch to the sounds.

 

All macros are assigned to Ring Modulation, Reverb, OSC Mix and Low Pass Filter Cut-Off frequency. Using aftertouch is pretty much unpredictable and could affect elements like filter and OSC pitch modulation in conjunction with the Sub OSC of the synth.

 

All presets designed with CS 80 V4.1.0.2880 (x64) and run best with this or newer edition

Analog Lab Edition: Soundbank needs at least version Analog Lab V 5.6.0.2890 (x64) or newer

1980 Vol.2 - Analog Lab V & CS-80 V4

5,00 €Price

Synth Presets Walkthrough Video

Please Note

Try to keep optimal levels of your synth tracks to avoid digital clipping from the synth’s output for the best sounding results and to avoid any potential equipment damage. While designing the sounds we try to keep at a good level but as the final level is a result of many different factors e.g., how many keys are pressed and with how much velocity always try to avoid digital clipping.

Using a limiter to ensure that no digital clipping occurs is recommended to keep equipment safe.

 

Legal notes: 

When purchasing our soundbanks you get a Non-Exclusive License to use the included presets as part of your commercial and non-commercial music compositions.

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