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You could find the Synth Presets walkthrough video below

1980 Bundle - Analog Lab V and CS-80 V4
1980 Bundle for Arturia Analog Lab V and CS-80 V4 contains 110 nostalgic presets.
 
The soundbanks that are included in this bundle are:
 
 
1980 Vol.1 for Arturia CS-80 V4 and Analog Lab V synths contains 30 presets derived from the classic 80's sound era. This soundbank has 10 Classic Synths, 10 Classic Pads, 5 Vintage Leads and 5 Vintage Basses.
 
All macros are assigned to Ring Modulation, Reverb, OSC Mix and Low Pass Filter Cut-Off frequency.
 
All presets designed with CS 80 V4.1.0.2880 (x64) and run best with this or newer edition
 
Analog Lab Edition: Soundbank needs at least version Analog Lab V 5.6.0.2890 (x64) or newer
 
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1980 Vol.2 for Arturia CS-80 V4 and Analog Lab V synths contains 30 presets derived from the classic 80's sound era and carrying this distinct CS-80 sound identity. This soundbank has 30 Classic Pads that could also be used as polysynths in terms of performance.
 
In some presets the envelopes that modulate the filters could introduce some interesting nice flaws and additional note could be heard when releasing the keys. If you would like to avoid this one then turn the slider of filter release (the first yellow sliders with the R sign below them for each different channel) or even turn down all sliders that adjust the filters envelopes (the sliders with IL, AL, A, D and R signs below them).
 
Chorus and Tremolo in the down part of the synth play an important role for most presets and give an additional vintage 80’s touch to the sounds.
 
All macros are assigned to Ring Modulation, Reverb, OSC Mix and Low Pass Filter Cut-Off frequency. Using aftertouch is pretty much unpredictable and could affect elements like filter and OSC pitch modulation in conjunction with the Sub OSC of the synth.
 
All presets designed with CS 80 V4.1.0.2880 (x64) and run best with this or newer edition
 
Analog Lab Edition: Soundbank needs at least version Analog Lab V 5.6.0.2890 (x64) or newer
 
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1980 Vol.3 for Arturia CS-80 V4 and Analog Lab V synths contains 30 presets derived from the classic 80's sound era and carrying this distinct CS-80 sound identity. This soundbank has 30 Classic Synth Keys and most of them could also be used as pads in terms of performance.
 
Try to add some unexpected yet very musical and interesting alteration to the sound using aftertouch or mod wheel. Some presets are set with unison and thus according to the unison engine of CS-80 when perform multiple notes some of them will not be heard. To avoid it please disable unison from the down left part next to the yellow release slider.
 
Also try to add some timbral changes using the green BRILL and the red RES sliders.  
 
Chorus and Tremolo in the down part of the synth play an important role for most presets and give an additional vintage 80’s touch to the sounds.
 
All macros are assigned to Ring Modulation, Reverb, OSC Mix and Low Pass Filter Cut-Off frequency. Using aftertouch is pretty much unpredictable and could affect elements like filter and OSC pitch modulation in conjunction with the Sub OSC of the synth.
 
All presets designed with CS 80 V4.1.0.2880 (x64) and run best with this or newer edition
 
Analog Lab Edition: Soundbank needs at least version Analog Lab V 5.6.0.2890 (x64) or newer
 
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1980 Vol.4 for Arturia CS-80 V4 and Analog Lab V synths contains 20 arp presets derived from the classic 80's sound era and carrying this distinct CS-80 sound identity. This soundbank has 20 Classic Synth Arps mainly adjusted in sixteenths notes speed.
 
Adjust the GATE slider on will to adjust the length of the arpeggiated notes. Disable the arp by pushing the ON/OFF button on the ARPEGGIATOR section and transform the presets into classic 80’s poly synths.
 
All presets designed with CS 80 V4.1.0.2880 (x64) and run best with this or newer edition
 
Analog Lab Edition: Soundbank needs at least version Analog Lab V 5.6.1.2942 (x64) or newer

1980 Bundle - Analog Lab V and CS-80 V4

17,50 €Price

Synth Presets Walkthrough Video

Please Note

Try to keep optimal levels of your synth tracks to avoid digital clipping from the synth’s output for the best sounding results and to avoid any potential equipment damage. While designing the sounds we try to keep at a good level but as the final level is a result of many different factors e.g., how many keys are pressed and with how much velocity always try to avoid digital clipping.

Using a limiter to ensure that no digital clipping occurs is recommended to keep equipment safe.

 

Legal notes: 

When purchasing our soundbanks you get a Non-Exclusive License to use the included presets as part of your commercial and non-commercial music compositions.

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